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Augsburg silversmith

Joachim Friess

A silver stag brings sculpture, drinking ritual and mechanical entertainment together. Meet Augsburg maker Joachim Friess through a remarkable courtly automaton.

Diana seated on a silver-gilt stag with branching antlers, above an ornate wheeled base.

Joachim Friess, Diana and the Stag, about 1620. The Metropolitan Museum of Art, Gift of J. Pierpont Morgan, 1917; public domain.

Silver in motion

A stag, a vessel and a mechanical wonder.

Joachim Friess, approximately 1579–1620, became a master in Augsburg in 1610. The Metropolitan Museum of Art credits him as maker of Diana and the Stag, a silver automaton dated about 1620. Augsburg was a center of silverworking and clockmaking, where elaborate table ornaments enlivened aristocratic banquets.

Diana rides a stag whose body serves as a vessel: it is hollow and its head can be removed. The piece combines a sculptural figure with a mechanical base. Such objects could move across the table as part of drinking games, joining skilled metalwork with mechanisms and performance.

The Met describes the case as partially gilded silver, enamel and jewels, and the movement as iron and wood. Several paste stones and other details are later additions. An attractive silver surface does not make the entire mechanism silver, nor does the current appearance establish that every detail is original.

From the museum collection

A closer look at Diana and the Stag

The Met’s collection record describes one surviving object; it does not establish the construction or condition of another automaton.

Sculpture that holds a drink

The Met dates this Augsburg object to about 1620 and lists its accession as 17.190.746. Diana sits on the stag, whose removable head opens a hollow body. The museum explains that the guest before whom the automaton stopped would drink from the stag.

The case combines silver, enamel and jewels, while iron and wood are listed for the movement. Record the materials of each part separately; a whole-object weight cannot be treated as its fine-silver weight.

Names & chapters

How the story developed.

  1. 1610

    Master in Augsburg

    The Met identifies 1610 as the year Friess became a master.

  2. About 1620

    Diana and the Stag

    The Met dates its mixed-material silver automaton to approximately this year.

Follow an interest

What to explore.

A historical profile based on a museum record. No object was physically examined or authenticated.

Check the details

Before you buy.

Study each component and its condition before drawing conclusions about a complex object.

Describe the parts

Record the vessel, removable head, base and movement separately. Ask for condition and restoration documentation, including replaced details.

Read the evidence

Compare attribution, dimensions, construction and provenance with published examples. A maker name in a listing does not authenticate an object.

Open the references

Research this name.

  1. Museum collection

    Read the Met object record

    See the material, date, collection history and museum discussion.

  2. Collect Silver guide

    Explore silver sculpture

    See Diana and the Stag among other museum examples.

  3. Collect Silver guide

    Investigate silver authenticity

    Learn to document materials and marks.

Sources & further reading

  1. Diana and the Stag, 17.190.746 The Metropolitan Museum of Art · Museum object record and curatorial account

The Met documents the object and its later additions. Source checked November 14, 2026.

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